I. Photographies archiving the measured rest at the draftman’s square, formalizing the fiction inscripted in the wake of the symbolic and material tradition objectified by the fine arts. II. Photographies archiving the measured rest at the formalizing draftman’s square, inscripting the incomplete wake of the symbolic and material tradition obcjectified by the fine arts. III. Photographies archiving measured rests at the formalizing draftman’s square inscripting these false wakes in the symbolic and material tradition of the fine arts. IV. Photographies archiving and formalizing the fiction inscripted at the surface of the wake present at the symbolic and material tradition of the fine arts. V. Formal photographic archive showing the wake inscripted in the symbolic and material tradition of the fine arts as a fiction of a past actualized by workers who write a funerary text in popular culture’s calligraphy. VI. Photographic archive that normalizes in its measure the fictional rest as an inscription of antiquity using symbolic and material tools which have been used by the fine arts and popular culture, the lapidary worker installed at the margins of the cemetery. VII. Photographic archive putting the material rest by order and repetition, a paradigm of the sculptorical tradition inside of a fiction inscripted in the popular wake turned into calligraphy by the copyist calligrapher engraving the graves. VIII. Photography and Fiction Archive. The word “matter” is defined conceptually by order and repetition in the rest of the marmor. The incomplete wake thus appears. The ruin, coming from the spotless calligraphy of an Artist-Engraver who lives next to the cemetery: Don Ruben.